Short Eyes
Published by Farrar, Straus and Giroux
“An authentic, powerful theatrical piece that tells you more about the anti-universe of prison life than any play outside the work of Jean Genet.” —Jack Kroll, Newsweek
Winner of the New York Drama Critics’ Circle Award for Best American Play
This powerful drama of prison life is set in a house of detention where a group of young convicts—predominantly black and Puerto Rican—taunt, fight, insult, and entertain one another in an attempt to preserve their sanity and to create a semblance of community. When a young white prisoner accused of child molesting is thrown into the cell block by a guard who says he belongs in Sing Sing because “the men up there know what to do with degenerates like you,” the stage is set for an explosive series of events; for, among prisoners, this child molester called “short eyes” is the lowest of criminals.
“Mr. Piñero writes very well indeed. His dialogue sizzles with truth.” —Clive Barnes, The New York Times
Winner of the New York Drama Critics’ Circle Award for Best American Play
This powerful drama of prison life is set in a house of detention where a group of young convicts—predominantly black and Puerto Rican—taunt, fight, insult, and entertain one another in an attempt to preserve their sanity and to create a semblance of community. When a young white prisoner accused of child molesting is thrown into the cell block by a guard who says he belongs in Sing Sing because “the men up there know what to do with degenerates like you,” the stage is set for an explosive series of events; for, among prisoners, this child molester called “short eyes” is the lowest of criminals.
“Mr. Piñero writes very well indeed. His dialogue sizzles with truth.” —Clive Barnes, The New York Times
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