Recently, Elena Ferrante seems to be the author everyone's reading. First it was her Neapolitan novels, a set of four books which begins with the beloved novel My Brilliant Friend. Now people are re-discovering The Lost Daughter, one of Ferrante's books that was recently adapted into an Academy Award-nominated Netflix film. Directed by Maggie Gyllenhaal and starring Olivia Colman, the movie is a pretty faithful recreation of Ferrante's book. Of course, we're big believers that the book is almost always better than the movie—and while Gyllenhaal and Colman have made an excellent film, we're going to have to give the edge to the original.
If you've been meaning to read some of Ferrante's work, The Lost Daughter is the perfect place to start. It's taut, fascinating, and just 125 pages (comparatively, the Neapolitan novels combined total nearly 1700 pages).
Below, read an excerpt from The Lost Daughter.
When my daughters moved to Toronto, where their father had lived and worked for years, I was embarrassed and amazed to discover that I wasn’t upset; rather, I felt light, as if only then had I definitively brought them into the world. For the first time in almost twenty-five years I was not aware of the anxiety of having to take care of them. The house was neat, as if no one lived there, I no longer had the constant bother of shopping and doing the laundry, the woman who for years had helped with the household chores found a better-paying job and I felt no need to replace her.
My only obligation with regard to the girls was to call once a day to see how they were, what they were doing. On the phone they spoke as if they were on their own; in reality they lived with their father, but, accustomed to keeping us separate even in words, they spoke to me as if he didn’t exist. To my questions on the state of their lives they answered either in a cheerfully evasive manner, or with an ill humor full of irritable pauses, or in the artificial tones they assumed when they were in the company of friends. They called me often, too, especially Bianca, who had a more imperiously demanding relationship with me, but only to know if blue shoes would go with an orange skirt, if I could find some papers left in a book and send them urgently, if I was still available to be blamed for their rages, their sorrows, in spite of the different continents and the spacious sky that separated us. The telephone calls were almost always hurried, sometimes they seemed fake, as in a movie.
I did what they asked, reacted in accordance with their expectations. But since distance imposed the physical impossibility of intervening directly in their lives, satisfying their desires or whims became a mixture of rarefied or irresponsible gestures, every request seemed light, every task that had to do with them an affectionate habit. I felt miraculously unfettered, as if a difficult job, finally brought to completion, no longer weighed me down.
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I began to work without regard for their schedules and their needs. I corrected my students’ papers at night, listening to music; I slept a lot in the afternoon, with earplugs; I ate once a day and always at a trattoria next door. I changed rapidly—my habits, my mood, my very physical appearance. At the university I was no longer irritated by the students who were too stupid and those who were too smart. A colleague I had known for years and whom occasionally, rarely, I slept with, said to me in bewilderment one evening that I had become less distracted, more generous. In a few months I regained the slender body of my youth and felt a sensation of gentle strength; it seemed to me that my thoughts had returned to their proper speed. One night I looked at myself in the mirror. I was forty-seven years old, I would be forty-eight in four months, but by some magic years had fallen from me. I don’t know if I was pleased; certainly I was surprised.
It was in this state of unusual well-being that, when June came, I felt like taking a vacation, and I decided that I would go to the sea as soon as I had finished with exams and the annoying bureaucratic formalities. I looked on the Internet, studied photographs and prices. Finally I rented a small, fairly inexpensive apartment on the Ionian coast, from mid-July to the end of August. In fact, I didn’t manage to leave until July 24th. The drive was easy, the car packed mainly with books that I needed for preparing next year’s courses. The day was beautiful; through the open windows came a breeze full of parched summer scents, and I felt free and without guilt at my freedom.
But halfway there, as I was getting gas, I felt suddenly anxious. In the past I had loved the sea, but for at least fifteen years being in the sun had made me nervous, exhausted me instantly. The apartment would surely be ugly, the view a distant slice of blue amid cheap, squalid houses. I wouldn’t sleep a wink because of the heat and the sense that I would have been able to work at home comfortably all summer, breathing the air-conditioned air in the silence of my apartment.
When I arrived the sun was setting. The town seemed pretty, the voices had a pleasing cadence, there were good smells. Waiting for me was an old man with thick white hair who was respectfully cordial. First he bought me a coffee at the bar, and then, with a mixture of smiles and unmistakable gestures, he prevented me from carrying even a single bag into the house. Loaded down with my suitcases, he climbed, panting, to the fourth and top floor, and put them down in the doorway of a small penthouse: bedroom, tiny windowless kitchen that opened directly into the bathroom, a living room with big picture windows, and a terrace from which one could see, in the twilight, a rocky, jagged coast and an infinite sea.
The man’s name was Giovanni; he wasn’t the owner of the apartment but a sort of caretaker or handyman; yet he wouldn’t accept a tip, in fact, he was almost offended, as if I hadn’t understood that he was merely following the rules of a proper welcome. When, having been assured many times that everything was to my satisfaction, he left, I found on the table in the living room a big tray of peaches, plums, pears, grapes, and figs. The tray shone as if in a still-life.
I carried a wicker chair out to the terrace, and sat for a while to watch the evening descend on the sea. For years every vacation had revolved around the two children, and when they got older and began traveling the world with their friends I always stayed home, waiting for their return. I worried not only about all kinds of catastrophes (the dangers of air travel, ocean voyages, wars, earthquakes, tidal waves) but about their fragile nervous systems, possible tensions with their traveling companions, sentimental dramas because of affections returned too easily or not returned at all. I wanted to be ready to cope with sudden requests for help, I was afraid they would accuse me of being what in fact I was, distracted or absent, absorbed in myself. Enough. I got up, went to take a shower.
Afterward I was hungry and went back to the tray of fruit. I discovered that under the beautiful show figs, pears, prunes, peaches, grapes were overripe or rotten. I took a knife and cut off large black areas, but the smell disgusted me, the taste, and I threw almost all of it in the garbage. I could go out, look for a restaurant, but I gave up on eating because I was tired, I wanted to sleep.
Related: Watch the Trailer for The Lost Daughter
In the bedroom there were two large windows. I opened them and turned off the lights. Outside, every so often, I saw the beam of a lighthouse explode out of the darkness and strike the room for a few seconds. One should never arrive in an unknown place at night, everything is undefined, every object is easily exaggerated. I lay down on the bed in my bathrobe, my hair wet, and stared at the ceiling, waiting for the moment when it would become white with light. I heard the distant sound of an outboard motor and a faint song that was like a meow. I had no contours. I turned drowsily and touched something on the pillow that felt cold, something made of tissue paper.
I turned on the light. On the bright-white material of the pillowcase was an insect, three or four centimeters long, like a giant fly. It was dark brown, and motionless, with membranous wings. I said to myself: it’s a cicada, maybe its abdomen burst on my pillow. I touched it with the hem of my bathrobe, it moved and became immediately quiet. Male, female. The stomach of the females doesn’t have elastic membranes, it doesn’t sing, it’s mute. I felt disgust. The cicada punctures olive trees and makes the sap drip from the bark of the mountain ash. I cautiously picked up the pillow, went to one of the windows, and tossed the insect out. That was how my vacation began.
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The Lost Daughter
“Although much of the drama takes place in [Leda’s] head, Ferrante’s gift for psychological horror renders it immediate and visceral.” —The New Yorker
“Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.” —Publishers Weekly