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The Best Literary Fiction Books and Novels

Often described as "serious" literature (think the Great American Novel), literary fiction often doesn't fit neatly into the parameters of other genres, and is usually more character-driven than plot-driven. But don't let that lofty definition put you off—plenty of literary fiction is accessible, fascinating, and all the more interesting for its fully fleshed-out characters. In fact, some of the most popular books of all time are literary fiction.

At the same time, a literary fiction label doesn’t mean a novel can’t have elements of other genres—there’s plenty of books shelved as literary suspense, literary romance, or even literary fabulism. You can expect these kinds of novels to still have those genre traits, but with elevated writing styles and more character development.

Another hallmark of literary fiction is the prizes. From Booker Prize winners to National Book Award winners to Pulitzer Prize winners, literary fiction features the kind of writing that deserves all the accolades.

Intrigued? Dive into our lists of recommended literary fiction books below.

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My Brilliant Friend
My Brilliant Friend
by Ann Goldstein, Elena Ferrante
Scenes of Clerical Life
Scenes of Clerical Life
by George Eliot
Cocktails for Three
Cocktails for Three
by Madeleine Wickham
Frankenstein
Frankenstein
by Melissa Marr, Mary Shelley, Amanda Shaffer
French Exit
French Exit
by Patrick deWitt
A Clockwork Orange
A Clockwork Orange
by Anthony Burgess
Gold
Gold
by Isaac Asimov
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Olga
Olga
by Bernhard Schlink
A Prayer for the Dying
A Prayer for the Dying
by Stewart O'Nan
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The Forgotten Summer
The Forgotten Summer
by Carol Drinkwater
The Love Object
The Love Object
by Edna O'Brien
The Tremor of Forgery
The Tremor of Forgery
by Patricia Highsmith, Francine Prose
Across the River and Into the Trees
Across the River and Into the Trees
by Ernest Hemingway
The Dalkey Archive
The Dalkey Archive
by Flann O'Brien
They Tell Me of a Home
They Tell Me of a Home
by Daniel Black
The Good People
The Good People
by Hannah Kent
How Green Was My Valley
How Green Was My Valley
by Richard Llewellyn
The Toss of a Lemon
The Toss of a Lemon
by Padma Viswanathan
Death in the Andes
Death in the Andes
by Mario Vargas Llosa, Edith Grossman
The Glory
The Glory
by Herman Wouk
The Longings of Women
The Longings of Women
by Marge Piercy
The Millstone
The Millstone
by Margaret Drabble
Old Baggage
Old Baggage
by Lissa Evans
Italian Shoes
Italian Shoes
by Henning Mankell
Mr. Splitfoot
Mr. Splitfoot
by Samantha Hunt
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The Blood of the Lamb
The Blood of the Lamb
by Peter De Vries, Jefferey Frank
The 2020 Commission Report on the North Korean Nuclear Attacks Against the United States
The 2020 Commission Report on the North Korean Nuclear Attacks Against the United States
by Jeffrey Lewis
The End We Start From
The End We Start From
by Megan Hunter
Birds of America
Birds of America
by Mary McCarthy
The Enchanted April
The Enchanted April
by Elizabeth von Arnim
Geography and Plays
Geography and Plays
by Sherwood Anderson, Gertrude Stein
The Flight of the Maidens
The Flight of the Maidens
by Jane Gardam
Walk the Blue Fields
Walk the Blue Fields
by Claire Keegan
We the Animals
We the Animals
by Justin Torres
The Color Purple
The Color Purple
by Alice Walker
A Dangerous Woman
A Dangerous Woman
by Mary McGarry Morris
Euphoria
Euphoria
by Lily King
Black Snow
Black Snow
by Roger Cockrell, Mikhail Bulgakov
The Shadow Lines
The Shadow Lines
by Amitav Ghosh
Fresh Water for Flowers
Fresh Water for Flowers
by Valerie Perrin
Deathbird Stories
Deathbird Stories
by Harlan Ellison
100 Years of the Best American Short Stories
100 Years of the Best American Short Stories
by Lorrie Moore, Heidi Pitlor
The Lathe of Heaven
The Lathe of Heaven
by Ursula K. Le Guin
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The Inheritance of Loss
The Inheritance of Loss
by Kiran Desai
Song of the River
Song of the River
by Sue Harrison
Gentlemen Prefer Blondes
Gentlemen Prefer Blondes
by Anita Loos
I, Claudius
I, Claudius
by Robert Graves
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The Gate of Angels
The Gate of Angels
by Penelope Fitzgerald, Philip Hensher
Kowloon Tong
Kowloon Tong
by Paul Theroux
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Literary fiction is a genre that focuses on style, theme, and character rather than plot. Literary fiction books are often an exploration of the human condition or social and political issues. Classics like To Kill a Mockingbird, The Great Gatsby, and A Tale of Two Cities are examples of literary fiction. 

This can be a difficult distinction because they have some overlap. But generally, literary fiction is character-driven, and focuses on character building, themes, and literary devices, while genre fiction is plot-driven, and focuses on tropes, plot structures, and archetypes. Additionally, genre fiction can be broken down into other sub-genres, while literary fiction cannot.